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MEDIA CONTACT:

Jean Oelrich
Director of Communications
(714) 876-2380
joelrich@pacificsymphony.org
Kathryn Mudgway
Public Relations & Social Media Associate
(714) 876-2385
kmudgway@pacificsymphony.org


Hal and Jeanette Segerstrom Family Foundation Classical Series for 2022-23 Season Announced


Orange County—Mar 01, 2022


Music Director Carl St.Clair Leads Pacific Symphony’s 44th Season from September 2022 to June 2023

Also Announced: Sunday Matinées and Special Events


Highlights Include:

Symphony Special: Superstar Pianist Lang Lang with Carl St.Clair

Season Opener Presents Innovative Work by the Symphony’s New Composer-in-Residence Viet Cuong

Introducing New Voices of Women Composers

World premieres: James MacMillan’s Fiat Lux, John Wineglass’ Violin Concerto and Notable Pacific Symphony Premieres

Roaring Twenties Festival Celebrates “The Jazz Age”

Four Masterworks Feature Pacific Chorale: The Planets, Rigoletto, Cathedrals of Sound and Messiah

Guest artists include violinists Dennis Kim and Stefan Jackiw*; pianists Jeffrey Biegel, Yefim Bronfman, Claire Huangci, Louie Lortie, Orli Shaham, Conrad Tao; organist Dennis James; cellist Warren Hagerty; soprano Elissa Johnston; guitarist Miloš*; Sandbox Percussion* ensemble; John Tu and Friends band; and conductors Teddy Abrams, Mei-Ann Chen, Robert Istad, Karen Kamensek*, Michal Nesterowicz* and Julian Wachnner*
* indicates Pacific Symphony debut

Music Director Carl St.Clair and President John Forsyte today announced programming for Pacific Symphony’s 2022-23 season. Before the season officially opens, the internationally celebrated pianist Lang Lang appears in a special performance of Saint-Saëns’ Second Piano Concerto on Sunday, Sept. 18 with Mussorgsky’s Pictures at an Exhibition featured as a tribute to the early October opening of the Orange County Museum of Art on the Segerstrom Center campus. The Symphony’s 44th season and opening of the Hal and Jeanette Segerstrom Family Foundation Classical Series begins on Thursday, Sept. 22 with “Beethoven & Boléro,” a program that highlights the orchestra’s musicians as soloists in Beethoven’s Concerto for Violin, Cello and Piano and Ravel’s Boléro. In a hat-trick of firsts, Sandbox Percussion debuts with the orchestra to perform Re(new)al, a new percussion quartet concerto written by Viet Cuong, the Symphony’s new composer-in-residence.

Comprising 36 concerts as part of a 12-program subscription series, four Sunday Matinées and four Specials, the 2022-23 classical season reflects Pacific Symphony’s diverse repertoire—from core symphonic works to a full-length opera—and a penchant for re-interpreting the classics for the 21st century, through lighting, visuals and multimedia elements.

Commenting on the 2022-23 season, Music Director Carl St.Clair said, “Pacific Symphony is entering a new era of discovery, exploring new musical experiences to share with our audiences. We look forward to introducing you to exciting new voices and music from around the world. Opening night will present a work by Viet Cuong, our new composer-in-residence. I could also call him an artist-in-residence because he will be contributing to our musical lives in so many ways. And, as a Vietnamese American, he will help us to engage in new cultural conversations with Orange County’s Vietnamese community, the largest in the world outside of Vietnam itself.

“After working out all the numerous in-depth details of planning the season with our Senior Vice President of Artistic Planning Eileen Jeanette, I am pleased to share with you the music of women composers from around the world: Mexico’s Gabriela Ortiz, the United Kingdom’s Anna Clyne and Brazil’s Clarice Assad,” added St.Clair. “The international surprises continue all season long, including guitarist Miloš from Montenegro who will perform the work that could be considered Spain’s greatest export, Rodrigo’s famous Concierto de Aranjuez. We’ll have an exciting piece from the Polish film composer Wojciech Kilar and even music from 1920s France. I think of this season as a multicultural mosaic of music, and I know you will enjoy it.”

Symphony President John Forsyte stated: “Today’s announcement is a watershed moment. The resilience of Pacific Symphony is a direct reflection of the affection of this community for its orchestra. We are so grateful to all of our patrons and ticket holders who have stayed engaged and supportive. I know the musicians, conductors and guest artists have expressed so much gratitude for audiences returning to the concert hall and cheering for live music.

“Orange County has developed into a major destination for innovation, research universities and growth industries,” continued Forsyte “and Pacific Symphony has developed alongside them. The philanthropic underwriting from leading supporters like the Hal and Jeanette Segerstrom Family and many other incredible investors has assured that we can undertake the ambitious season we are sharing today. We are committed to keeping the Symphony relevant for today’s audiences and Carl has once again imagined a range of programming that will undoubtedly keep the concert experience fresh and inspiring.”


2022-23 Season Highlights at a Glance


PRE-SEASON SPECIAL:
Lang Lang Returns

Heralded by The New York Times as “the hottest artist on the classical music planet,” Lang Lang plays sold-out concerts all over the world. He has performed for numerous international dignitaries, including the Pope, four U.S. presidents and monarchs from many nations. And now this world-celebrated piano superstar returns to perform a special pre-season concert with Pacific Symphony under the baton of Music Director Carl St.Clair (Sept. 18). The program features Lang Lang in a virtuosic tour de force: Saint-Saëns’ Second Piano Concerto. The concert also holds Ravel’s Mother Goose Suite and Mussorgsky’s Pictures at an Exhibition as orchestrated by Ravel. Subscribers to the classical series receive priority access to seats for this special event performance.

OPENING NIGHT
Pacific Symphony’s New Composer-in-Residence, Viet Cuong

The season opens (Sept. 22-24) with a work that introduces the Symphony’s new composer-in-residence Viet Cuong (b. 1990). His music has been called “alluring” and “wildly inventive” by The New York Times and “irresistible” by the San Francisco Chronicle. His work has been commissioned and performed on six continents by musicians and ensembles such as the New York Philharmonic, Eighth Blackbird, Saint Paul Chamber Orchestra, Atlanta Symphony, Albany Symphony and Orchestra of St. Luke’s, among many others. Cuong’s music has been featured in venues such as Carnegie Hall, Lincoln Center, Kennedy Center, National Gallery of Art and the Library of Congress. A native Californian, Cuong teaches at University of Las Vegas and lives in Orange County.

Re(new)al will be performed by the Sandbox Percussion ensemble, to whom the work is dedicated. In a composer’s note, Cuong stated: “I have tremendous respect for renewable energy initiatives and the commitment to creating a new, better reality for us all. Re(new)al is a percussion quartet concerto that is similarly devoted to finding unexpected ways to breathe new life into traditional ideas, and the solo quartet therefore performs on several ‘found’ instruments, including crystal glasses and compressed air cans. And while the piece also features more traditional instruments, such as snare drum and vibraphone, I looked for ways to either alter their sounds or find new ways to play them.”

The program also showcases Pacific Symphony musicians in Beethoven’s Triple Concerto (with Concertmaster Dennis Kim and Principal Cellist Warren Hagerty joining pianist Orli Shaham) and taking solo turns in Ravel’s mesmerizing Boléro.

Introducing New Works by Women Composers
Music Director Carl St.Clair continues to explore new works by women composers to add to the performing repertoire of Pacific Symphony. He brings a number of new voices to our attention this season.
 
Latin Grammy-nominated Gabriela Ortiz is one of the foremost composers in Mexico today and one of the most vibrant musicians emerging on the international scene. Her musical language achieves an extraordinary and expressive synthesis of tradition and the avant-garde by combining high art, folk music and jazz in novel, frequently refined and always personal ways. Her compositions are credited for being both entertaining and immediate as well as profound and sophisticated; she achieves a balance between highly organized structure and improvisatory spontaneity. Audiences will have a chance to experience her artistry when St.Clair conducts “Luz Eólica” (“Aeolian Light”) from Altar de Viento (“Altar of Wind”), a work for flute and orchestra (Oct. 20-22).

London-born Anna Clyne is a Grammy-nominated composer of acoustic and electro-acoustic music. Described as a “composer of uncommon gifts and unusual methods” in a New York Times profile and as “fearless” by NPR, her work often includes collaborations with cutting-edge choreographers, visual artists, filmmakers and musicians. Conductor Karen Kamensek leads the orchestra in Clyne’s work entitled Pivot (Nov. 17-19). The composer commented that she wanted “to write a piece that reflected the diversity and the excitement of the Edinburgh Festival. I wanted to take the listener on a journey of sorts into different rooms within this short timeframe of five minutes. The title Pivot refers to this pivoting between different musical and artists' experiences.”

A powerful communicator renowned for her musical scope and versatility, Brazilian American Clarice Assad is a significant artistic voice in the classical, world music, pop and jazz genres. A Grammy-nominated composer, celebrated pianist, inventive vocalist and educator, she is renowned for her evocative colors, rich textures and diverse stylistic range. Mei-Ann Chen returns this season to conduct a program (Dec. 1-3) that includes Assad’s Sin Fronteras (Without Boundaries). The composer states the work “emerged from a utopian state of mind in which I found myself one day, daring to erase imaginary lines that disconnect us geographically, culturally and morally: Boundaries that the human race has willingly subscribed to for thousands of years. But what would happen if the walls that separate us from really getting to know one another were not there? While in the real world this idea would generate a fair amount of confusion, in the realm of music of the 21st century, this does not need to be so!”

World premieres by James MacMillan and John Wineglass
Due to the COVID-19 omicron surge, the eagerly anticipated world premiere of Pacific Symphony’s commission from Sir James MacMillan will take place June 15-17, 2023. Leading Scottish composer Sir James MacMillan has been hailed by The New York Times as “ceaselessly inventive, evocative and penetrating.” This major commission, entitled Fiat Lux (“Let There Be Light”), utilizes a text by Dana Gioia, the internationally acclaimed poet, California poet laureate and former chairman of the National Endowment for the Arts. Carl St.Clair directs the performance, which opens with Allegri’s hauntingly beautiful, 17th century a cappella choral work Miserere Mei, Deus followed by Strauss’ eternal tone poem Death and Transfiguration. Pacific Chorale joins the Symphony on both the MacMillan world premiere and Allegri masterwork for this “Cathedrals of Sound” program, which will take audiences on a spiritual journey, offering an evening of inspiration and awe.

Pacific Symphony audiences first became acquainted with the work of multiple EMMY® award-winning composer John Christopher Wineglass during the 2020-21 season when the orchestra streamed "Alone Together," which was a Pacific Symphony co-commission. Now Wineglass has written another work commissioned by the Symphony: a violin concerto to be performed by Concertmaster Dennis Kim under the baton of Carl St.Clair (Feb. 23-25).  Wineglass will also work with Pacific Symphony Youth Ensembles and young composers initiative.

Notable Pacific Symphony premieres are indicated by two asterisks (**) in the attached Calendar.

“The Roaring Twenties” Celebrates “The Jazz Age”
Carl St.Clair curates an exciting mini-festival-in-an-evening celebrating The Roaring Twenties (May 11-13, 2023), which were dubbed “The Jazz Age” by novelist F. Scott Fitzgerald. Each night will present an evening-long, three-part celebration of the music that defined that era: Scott Joplin, Eubie Blake, W.C. Handy, Duke Ellington and George Gershwin—his Rhapsody in Blue. A notable Symphony premiere on the program will be George Antheil’s Jazz Symphony (1925) that the composer described as “one of the very first symphonic expressions which attempted to synthesize American jazz as a legitimate symphony expression.” Audiences will hear these classics in the evening’s first third and then they’ll fox trot on the Plaza to sounds of the John Tu and Friends band. (Best to keep in mind Fitzgerald’s quote from Tales of the Jazz Age: “You don’t have to dance—just get out there on the floor and shake”). To cap off the evening, the festivities will culminate with a landmark silent film of the 20s to close, accompanied on the organ by Dennis James. All evening, the bars will be open, and in the roaring 2020s, there’s no prohibition!  

Pacific Chorale Featured in Four Collaborations with Pacific Symphony
Celebrating over half a century of bringing music to Southern California, Pacific Chorale is internationally recognized for exceptional artistic expression. Under the direction of Robert Istad, the Chorale presents a substantial performance season of its own at Segerstrom Center for the Arts in Orange County in addition to its long-standing partnership with Pacific Symphony. During the 2022-23 season, Pacific Chorale will collaborate with Pacific Symphony on four programs: The Planets (Nov. 17-19), Verdi’s Rigoletto (April 20, 22, 25, 2023), Cathedrals of Sound (June 15-17, 2023) and Handel’s Messiah (Dec. 4).

Guest Soloists
Pacific Symphony guest soloists during the 2022-23 season include pianist Orli Shaham, host of the Café Ludwig series, who joins Pacific Symphony colleagues Concertmaster Dennis Kim and Principal Cellist Warren Hagerty for Beethoven’s Triple Concerto (Sept. 22-24); the young American pianist Claire Huangci, winner of the first prize and the Mozart prize at the 2018 Geza Anda Competition, will be the soloist in Tchaikovsky’s Piano Concerto No. 1 (Oct. 20-22); the internationally recognized and acclaimed pianist Yefim Bronfman makes a long-awaited return with the Schumann Piano Concerto (Feb. 2-4, 2023); Concertmaster Dennis Kim performs the world premiere of John Wineglass’ Violin Concerto (Feb. 23-25, 2023); pianist Conrad Tao, described by The Boston Globe as “ferociously talented,” tackles Mozart’s Piano Concerto No. 24, K. 291 (March 16-18, 2023); pianist Jeffrey Biegel, who Leonard Bernstein cited as “a brilliant performer,” takes on Gershwin’s Rhapsody in Blue in the original 1924 Paul Whiteman Band version for the “The Roaring Twenties” (May 11-13, 2023); world-renowned cinema organist Dennis James will improvise the soundtrack to a landmark silent film, also a part of the “The Roaring Twenties” mini-festival; a former winner of the Busoni Competition and laureate of the Leeds Competition, pianist Louie Lortie performs the Grieg Concerto (June 1-3, 2023); hailed by Musical America for "her voice pure and ethereal," soprano Elissa Johnston appears in the world premiere performance of Sir James MacMillan’s Fiat Lux (June 15-17, 2023); and piano superstar Lang Lang returns to perform Saint-Saëns’ beguiling Second Piano Concerto (Sept. 18).

Artists making their Pacific Symphony debuts include the “exhilarating” (New York Times) and “utterly mesmerizing” (The Guardian) Sandbox Percussion ensemble to perform Symphony composer-in-residence Viet Cuong’s work Re(new)al (Sept. 22-24); violinist Stefan Jackiw, whose playing the LA Times called “fascinating, impressive and often riveting” will perform Bruch’s Scottish Fantasy (Nov. 17-19); and guitarist Miloš, who the London Sunday Times dubbed “The King of Aranjuez” will perform Rodrigo’s famous concerto (Dec. 1-3).

Sunday Matinee Series
Carl St.Clair has devoted his tenure at Pacific Symphony to designing festivals and concert series that enable audiences to engage more deeply with both new music and standard orchestral repertoire. The four-concert Sunday Matinée series was launched in 1995. Speaking from the stage, St.Clair offers the audience an intimate and lively exploration of the classics. These informal concerts are just 90 minutes long and provide a perfect introduction to classical music: Brahms’ Symphony No. 4 (Oct. 23); Romeo and Juliet (Feb. 5); Tchaikovky’s Fourth (Feb. 26); and The Genius of Gershwin (May 14).

Pacific Symphony Special Events
In addition to the previously mentioned pre-season concert featuring Lang Lang (Sept. 18), Pacific Symphony presents three additional special events during the 2022-23 season.

Pacific Symphony also gives a holiday presentation of Handel’s Glorious Messiah (Dec. 4) featuring the Pacific Chorale, led by Julian Wachner; and two concerts that reflect the Orange County community including Lunar and Persian New Year celebrations led by Carl St.Clair (Jan. 28 and April 1).

The soon-to-be-announced SummerFest season at FivePoint Amphitheatre in Irvine includes three concerts beneath the stars. Programming still to be released in coming months includes the Pops series, Family Musical Mornings, Café Ludwig chamber music series and the Pedals and Pipes organ series. The county-wide Symphony on the Go concert tour returns after a successful inaugural season. The tour will include approximately 30 concerts, beginning in late May and continuing through mid-October.

Subscription and Ticket Information
Subscription materials for Pacific Symphony’s 2022-23 Classical series are now available, offering a savings of up to 40% off regular single ticket prices on a wide variety of concert packages from four to 12 concerts each. Subscribers save 20% on additional tickets purchased throughout the year, and enjoy easy ticket exchange options and other subscriber-only benefits, including preferential discounts at nearby restaurants.

Tickets for special concerts are currently available for purchase only with subscriptions. Subscriptions may be purchased or renewed by any of four methods: online, by phone, by mail or in person at the box office. Pacific Symphony provides an easy payment plan option for subscribers: subscription purchases are eligible for the payment plan and will be automatically charged in installments on the first of the month through September 2022.

For more information, call Pacific Symphony Patron Services at (714) 755-5799, Monday through Friday from 9 a.m. to 5 p.m. or visit PacificSymphony.org. Groups of 10 or more who are interested in subscribing to the 2022-23 season should call Pacific Symphony’s group sales department at (714) 755-5799.

Patrons may also visit PacificSymphony.org to order tickets, learn about other nearby attractions and restaurants and make donations. The Symphony’s new website provides background on the performances and the performers, along with Spotify playlists of works to be performed.

The Symphony’s blog Pacific Overtures features engaging articles, audio and video to enhance patrons’ experience before and after performances. Timely content of interest to concertgoers can also be found on Pacific Symphony’s social media channels: Facebook, Twitter, Instagram, YouTube, LinkedIn and WeChat.

Pacific Symphony performs in the heart of Southern California at the Renée and Henry Segerstrom Concert Hall at 615 Town Center Drive on the Segerstrom Center for the Performing Arts campus in Costa Mesa.

Avenue of the Arts Hotel in Costa Mesa is the official hotel of Pacific Symphony. The 2022-23 season media sponsors include Classical KUSC, KPCC and PBS SoCal.

An Electronic Press Kit of Photos and Biographies of 2022-23 Artists can be accessed here: https://bit.ly/ps2223epk
 


CALENDAR

2022-23 HAL AND JEANETTE SEGERSTROM FAMILY FOUNDATION CLASSICAL SERIES
All concerts at Renée and Henry Segerstrom Concert Hall at Segerstrom Center for the Arts.
Programs, artists, and dates subject to change.


**   Indicates first performance by Pacific Symphony
†  Indicates world premiere

BEETHOVEN & BOLÉRO
Sept. 22-24 | 8 p.m.  

 
Carl St.Clair, conductor
Dennis Kim, violin
Warren Hagerty, cello  
Orli Shaham, piano
Sandbox Percussion
 
Wagner: Overture to The Flying Dutchman **
Beethoven: Triple Concerto  
Viet Cuong: Re(new)al **
Ravel: Boléro  
 
 
TCHAIKOVSKY PIANO CONCERTO
Oct. 20-22 | 8 p.m.

 
Carl St.Clair, conductor  
Claire Huangci, piano  
 
Gabriela Ortiz: “Luz Eólica” from Altar de Viento (“Aeolian Light” from Altar of Wind) **
Tchaikovsky: Piano Concerto No. 1  
Brahms: Symphony No. 4  
 
 
THE PLANETS
Nov. 17-19 | 8 p.m.

 
Karen Kamensek, conductor  
Stefan Jackiw, violin
Women of Pacific Chorale  
Robert Istad, artistic director  
 
Anna Clyne: Pivot **
Bruch: Scottish Fantasy  
Holst: The Planets  
 

MILOŠ PLAYS RODRIGO
Dec. 1-3 | 8 p.m.

 
Mei-Ann Chen, conductor
Miloš, guitar  
 
Clarice Assad: Sin Fronteras **
Rodrigo: Concierto de Aranjuez  
Rachmaninoff: Symphonic Dances  
 
MAHLER 9
Jan. 12-14, 2023 | 8 p.m.

 
Carl St.Clair, conductor  
 
Mahler: Symphony No. 9  
 
 
BRONFMAN PLAYS SCHUMANN  
Feb. 2-4, 2023 | 8 p.m.

 
Carl St.Clair, conductor  
Yefim Bronfman, piano  
 
Prokofiev: Suite from Romeo and Juliet  
Schumann: Piano Concerto
J. Strauss Jr.: On the Beautiful Blue Danube  
 

TCHAIKOVSKY & STRAUSS
Feb. 23-25, 2023 | 8 p.m.

 
Carl St.Clair, conductor  
Dennis Kim, violin  
 
R. Strauss: Serenade for Winds
John Wineglass: Violin Concerto (World Premiere) †
Tchaikovsky: Symphony No. 4  
 

TAO PLAYS MOZART
March 16-18, 2023 | 8 p.m.

 
Michal Nesterowicz, conductor  
Conrad Tao, piano  
 
Kilar: Orawa **
Mozart: Piano Concerto No. 24, K. 491  
Mendelssohn: Symphony No. 3, “Scottish”

 
VERDI’S RIGOLETTO
April 20-25, 2023 | 8 p.m.

 
Carl St.Clair, conductor  
Cast to be announced   
Pacific Chorale,  
Robert Istad, artistic director  
 
Verdi: Rigoletto **

 
THE ROARING TWENTIES
May 11-13, 2023 | 8 p.m.

 
Carl St.Clair, conductor  
Jeffery Biegel, piano
John Tu and Friends band
Dennis James, organ

Part I:
Gershwin: Rhapsody in Blue (Paul Whiteman Band version)
Antheil: A Jazz Symphony (1925 version) **
Gershwin: An American in Paris
Additional works to be announced

Part II:
Fox-trot on the Plaza to the sounds of John Tu and Friends band

Part III:
Landmark silent film of the 20s accompanied on the organ by Dennis James
 

GRIEG PIANO CONCERTO
June 1-3, 2023 | 8 p.m.

 
Teddy Abrams, conductor  
Louie Lortie, piano  
 
Teddy Abrams: Overture in Sonata Form **
Grieg: Piano Concerto  
Stravinsky: Petrushka (1947 version)  
 
 
CATHEDRALS OF SOUND
June 15-17, 2023 | 8 p.m.

 
Carl St.Clair, conductor  
Robert Istad, conductor*
Elissa Johnston, soprano
To be announced, baritone
Pacific Chorale,  
Robert Istad, artistic director  
 
Allegri: Miserere mei, Deus **  
R. Strauss: Death and Transfiguration
James MacMillan: Fiat Lux (World Premiere) †

 

SUNDAY MATINÉES
Music Director Carl St.Clair presents an intimate and lively behind-the-scenes exploration of the classics. Convenient Sunday matinée performances allow plenty of time for a champagne brunch, a shopping trip to South Coast Plaza or just a few hours to catch up with friends. Concerts are 90 minutes long and include insightful comments from Maestro St.Clair.
 
 
BRAHMS SYMPHONY NO. 4
Sunday, Oct. 23, 2022 | 3 p.m.

 
Carl St.Clair, conductor  
 
Brahms: Symphony No. 4  


ROMEO & JULIET
Sunday, Feb. 5, 2023 | 3 p.m.

 
Carl St.Clair, conductor  
 
Prokofiev: Suite from Romeo and Juliet
 
 
TCHAIKOVSKY’S FOURTH
Sunday, Feb. 26, 2023 | 3 p.m.

 
Carl St.Clair, conductor  
 
Tchaikovsky: Symphony No. 4  
 
 
THE GENIUS OF GERSHWIN  
Sunday, May 14, 2023 | 3 p.m.

 
Carl St.Clair, conductor  
 
Gershwin: Rhapsody in Blue
Gershwin: An American in Paris
Additional works to be announced
 
 

SPECIAL EVENTS
 
LANG LANG RETURNS
Sunday, Sept. 18, 2022 | 3 p.m.  

 
Carl St.Clair, conductor  
Lang Lang, piano  
 
Ravel: Mother Goose Suite
Saint-Saëns: Piano Concerto No. 2  
Mussorgsky (orch: Ravel): Pictures at an Exhibition  
 
 
HANDEL’S GLORIOUS MESSIAH
Sunday, Dec. 4, 2022 | 3 p.m.  

 
Julian Wachner, conductor
Pacific Chorale,  
Robert Istad, artistic director  
Vocal soloists to be announced
 
Handel: Messiah
 
 
LUNAR NEW YEAR
Saturday, Jan. 28, 2023 | 8 p.m.

 
Carl St.Clair, conductor
 
 
NOWRUZ: IRANIAN NEW YEAR
Saturday, April 1, 2023 | 8 p.m.

 
Carl St.Clair, conductor
 

About Pacific Symphony
Pacific Symphony, under the dynamic leadership of Music Director Carl St.Clair since 1990, has been the resident orchestra of Orange County’s Renée and Henry Segerstrom Concert Hall for 15 years. Founded in 1978, the Symphony is the largest orchestra formed in the U.S. in the last 50 years and is not only a fixture of musical life in Southern California, but is also recognized as an outstanding ensemble making strides on both the national and international scenes. The orchestra presents more than 100 concerts and events each year and a rich array of education and community engagement programs, reaching more than 300,000 residents of all ages.

Pacific Symphony made its debut at Carnegie Hall in 2018, where it was invited to perform as part of a yearlong celebration of composer Philip Glass' 80th birthday. The Symphony made its first-ever tour to China the same year, with performances in five cities, including Shanghai and Beijing. The Symphony has been recognized with multiple ASCAP Awards for Adventurous Programming and included among the country’s five most innovative orchestras by the League of American Orchestras.

Pacific Symphony’s discography comprises 15 recordings, mostly of 20th- and 21st-century music by such American composers as William Bolcom, John Corigliano and Richard Danielpour. In 2012 for Naxos, Mr. St.Clair and the orchestra recorded Philip Glass’s The Passion of Ramakrishna, a Pacific Symphony commission that will appear on the Carnegie Hall program. The Symphony has also recorded for Harmonia Mundi, Koch International Classics, Reference Recordings, and Sony Classical, among other labels.

The Symphony has been recognized with multiple ASCAP Awards for Adventurous Programming and included among the country’s five most innovative orchestras by the League of American Orchestras. The Symphony’s education and community engagement activities have also been recognized by the League, as well as the National Endowment for the Arts.


About Music Director Carl St.Clair
The 2022-23 season marks Music Director Carl St.Clair’s 33rd year leading Pacific Symphony. He is one of the longest-tenured conductors of the major American orchestras. St. Clair’s lengthy history solidifies the strong relationship he has forged with the musicians and community. His continuing role also lends stability to the organization and continuity to his vision for the symphony’s future. Few orchestras can claim such rapid artistic development as Pacific Symphony—the largest-budgeted orchestra formed in the United States in the last 50 years, due in large part to St.Clair’s leadership.

During his tenure, St.Clair has become widely recognized for his musically distinguished performances, his commitment to building outstanding educational programs and his innovative approaches to programming. In April 2018, St.Clair led Pacific Symphony in its sold-out Carnegie Hall debut, as the finale to the Carnegie’s yearlong celebration of pre-eminent composer Philip Glass’ 80th birthday, ending in a standing ovation, with The New York Times calling the Symphony “a major ensemble!” He led Pacific Symphony on its first tour to China in May 2018, the orchestra’s first international tour since touring Europe in 2006. The orchestra made its national PBS debut in June 2018 on Great Performances with Peter Boyer’s Ellis Island: The Dream of America, conducted by St.Clair. Among St.Clair’s many creative endeavors are the highly acclaimed American Composers Festival, which began in 2000; and the opera initiative, “Symphonic Voices,” which has included concert-opera productions of Madame Butterfly, The Magic Flute, Aida, Turandot, Carmen, La Traviata, Tosca and La Bohéme in previous seasons.

Highlights of his tenure include launching the American Composers Festival, which explores a different aspect of American music each year, and the annual Symphonic Voices performance of an opera in concert. He has also emphasized the regular commissioning and recording of new works, particularly by American composers, and has been a strong advocate for music education, spearheading such programs as the Pacific Symphony Youth Ensembles and Class Act partnerships with Orange County elementary schools.

Mentored by Leonard Bernstein at Tanglewood, St.Clair became a close colleague of the conductor/composer in his later years, and led the premiere of Arias and Barcarolles on Bernstein’s last concert. In addition to leading the Pacific Symphony, he has conducted the Boston Symphony Orchestra (where he served as assistant conductor under Seiji Ozawa), Los Angeles Philharmonic, New York Philharmonic, Philadelphia Orchestra and the Atlanta, Detroit, Houston, Indianapolis, Montreal, San Francisco, Seattle, Toronto and Vancouver symphonies, among others.

He conducts internationally for several months each year and has served as general music director for the Komische Oper in Berlin, general music director and chief conductor of the German National Theater and Staatskapelle in Weimar, music director of the National Symphony Orchestra in Costa Rica and principal guest conductor of the Radio Sinfonieorchester Stuttgart.
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