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Pacific Symphony on Tour

From the Big Apple to Beijing and beyond, Pacific Symphony has been wowing audiences and proving once again that it is a world-class orchestra and a major ensemble to be reckoned with.

Carnegie Hall - April 21, 2018        China Tour - May 9-15, 2018


Pacific Symphony Carnegie Hall 2018

Pacific Symphony's Carnegie Hall Debut in Philip Glass Program Featuring New York Premiere of Orchestra Co-Comission "The Passion of Ramakrishna"


Pacific Symphony, led by Music Director Carl St.Clair, made its Carnegie Hall debut on Saturday, April 21, 2018 in the concluding program of the venue’s 2017-18 season-long celebration of the music of Philip Glass. The sold-out program explored the influence of Ravi Shankar and Indian aesthetics on Glass and features the New York premiere of his The Passion of Ramakrishna, a Pacific Symphony co-commission for chorus, soloists, and orchestra that was given its world premiere by Pacific Symphony in 2006. The Pacific Chorale, which sang in the world premiere, joined Pacific Symphony for the performance at Carnegie Hall. The program also included “Meetings Along the Edge” from Glass/Shankar collaboration Passages and Shankar’s Third Sitar Concerto, featuring the composer’s daughter Anoushka Shankar as soloist. Philip Glass was Carnegie Hall’s 2017-18 Richard and Barbara Debs Composer’s Chair.

Pacific Symphony at Carnegie Hall

Pacific Symphony was invited to perform by Glass and Carnegie Hall after decades of championing the composer’s music in Orange County under St.Clair. The orchestra’s most significant collaboration with Glass has been The Passion of Ramakrishna, co-commissioned with the Nashville Symphony. The 2006 world premiere of the work by Pacific Symphony and the Pacific Chorale under St.Clair was part of the opening ceremonies for the Renée and Henry Segerstrom Concert Hall. The work was revived and recorded live during Pacific Symphony’s 2011 American Composers Festival, which was dedicated to Glass and—like the Carnegie Hall program—explored the influence of India's music and philosophy on his style and artistic thought.

The Passion of Ramakrishna is an oratorio-style composition whose namesake, Sri Ramakrishna Paramahamsa (1836-86), was a revered Bengali mystic and yogi who played a key role in shaping the modern Indian consciousness. As Glass states in his liner notes for Pacific Symphony’s recording:

Composer Philip Glass at Carnegie Hall curtain call“It would be hard to overestimate the impact that the life, presence and teaching of Sri Ramakrishna had on the formation of the modern India we know today. It was as if the sleeping giant of Indian culture and spirituality—certainly one of the foremost cultures of the ancient world—had been re-awakened and empowered to take its rightful place in modern times. … It is hard to imagine the emergence of India on the world stage without the spark that was provided by Ramakrishna’s brilliance. Perhaps, some may doubt that India—the most populous democracy of our time, brimming with vitality and creativity—could owe so much to one saintly man, long gone, who lived a life of such utter simplicity. Yet I believe that is exactly the case.

“It has been said that when a great man dies, it is as if all of humanity—and the whole world, for that matter—were witnessing a beautiful, timeless sunset. At that moment “the great matter of life and death” is revealed, if not explained and understood. By bearing witness to that event, perhaps we understand a little better our own mortality, its limits and possibilities. The Passion of Ramakrishna is meant to recount, in this highly abbreviated work, his suffering, death and transfiguration as they took place during the last few months of his life.”

The work’s text is drawn from The Gospel of Sri Ramakrishna, the principal source for Ramakrishna’s teachings translated into English. To hear Pacific Symphony’s recording on Spotify, click here.

Anoushka ShankarThe first half of the Carnegie Hall program related directly to Glass’s artistic relationship with sitarist Ravi Shankar (1920-2012). The evening opened with “Meetings Along the Edge” from Passages, a 1990 Glass/Shankar collaboration in which each artist wrote arrangements around themes by the other. “Meetings Along the Edge,” the fifth of the six pieces in Passages, features a mixture of themes by both composers. Passages originally appeared on a Glass/Shankar recording for Atlantic Records, and Pacific Symphony has recorded “Meetings Along the Edge,” available as an iTunes bonus track to The Passion of Ramakrishna album.

Ravi Shankar’s daughter Anoushka Shankar, a celebrated sitarist in her own right, joined St.Clair and Pacific Symphony in her father’s Third Sitar Concerto. Shankar gave the work’s world premiere in 2009, performing with the Orpheus Chamber Orchestra at Carnegie Hall. This concerto is one of four that Ravi Shankar composed for sitar and orchestra, and Shankar has performed these works around the world, with orchestras including the Berlin, London, Los Angeles, and New York Philharmonics.

Concert Program

Saturday, April 21, 2018, at 8 p.m. - Carnegie Hall, Stern Auditorium

GLASS / R. SHANKAR  "Meetings Along the Edge" from Passages
R. SHANKAR  Concerto No. 3 for Sitar and Orchestra
GLASS  The Passion of Ramakrishna (New York premiere; Pacific Symphony co-commission)

Pacific Symphony — Carl St.Clair, conductor
Anoushka Shankar, sitar
Elissa Johnston, soprano (Sarada Devi)
Christòpheren Nomura, baritone ("M")
Donovan Singletary, bass-baritone (Dr. Sarkar)
I-Chin Feinblatt, mezzo-soprano (First Devotee)
Nicholas Preston, tenor (Second Devotee)
Pacific Chorale — Robert Istad, artistic director

Pacific Symphony in China

Standing Ovations and Cheers Greet Pacific Symphony in China!

 

Pacific Symphony has returned from its first-ever tour to China and first international tour since the Symphony toured European capitals in 2006. The five-city tour launched May 9, 2018 with a concert at the Shanghai Poly Grand Theatre, followed by performances in Hefei (capital of Anhui province), Wuxi (Jiangsu province), Chongqing (major city in southwest China) and Beijing. The final concert took place at the National Centre for the Performing Arts, colloquially known as “The Giant Egg” due to its distinctive dome-shaped, titanium and glass architecture.

The Symphony’s tour included works by Leonard Bernstein in celebration of his centennial, as well as Ravel’s Daphnis and Chloe, Suite No. 2; Pictures at an Exhibition by Mussorgsky (arranged by Ravel); and Mozart’s Violin Concerto No.3, featuring soloist Pinchas Zukerman.

Pacific Symphony in Beijing“We are gratified to represent Southern California on this highly anticipated tour,” said Pacific Symphony Music Director Carl St.Clair before setting off for China. “This is an artistic milestone for the orchestra, and I couldn’t be more pleased to be leading this exceptional group of musicians on its first tour to China. This is an artistically significant opportunity for Pacific Symphony to embrace cultural diplomacy and to carry the message of music’s universality across the ocean to the other side of the Pacific Rim. The halls we will be playing have all been built within the last ten years. Some of the world’s leading architects have created contemporary temples of music with stunning acoustics that will beautifully showcase the fine playing of our musicians.”

Carl St.Clair, who was personally mentored by Leonard Bernstein, presented works in honor of the composer’s centennial. “I carefully selected the repertoire for this tour to include quintessential American works such as Bernstein’s ‘Slava!’ ‘Mambo’ and Overture to ‘Candide,’ which show off Pacific Symphony’s energetic spirit and warm sonority.” He continued, “Additionally, we performed 18th-, 19th- and 20th-century masterworks by Mozart, Mussorgsky and Ravel that display Pacific Symphony’s incredible versatility and virtuosity.”

Pinchas Zukerman with Pacific SymphonyPacific Symphony President John Forsyte said: “We are proud of the role we played as cultural ambassadors for Orange County and the community. As Pacific Symphony looks forward to its 40th anniversary next season, we are gratified by the support we have received from the diverse communities of Orange County over the decades. The county’s Asian-American population is the third largest in the country, and the Chinese community in particular has experienced explosive growth. Since 2013 we have been devoted to engaging with the Chinese communities of the region and building on its enthusiasm for symphonic music. Crossing the Pacific Rim to perform for the Chinese population on the mainland is the logical extension of the work we’ve been doing here in Orange County.”

Follow all the steps of the tour on the Pacific Symphony blog.

Watch behind-the-scenes videos from various stops on the tour:

Longtime Pacific Symphony supporters Sandy Segerstrom Daniels and Sally Segerstrom provided a major lead gift in support of the tour.

“The Segerstrom family have been generous patrons throughout the 40-year history of Pacific Symphony. This latest gift is yet another example of their undying generous spirit and ongoing commitment to the unparalleled quality of life in Southern California. The institution is grateful to Sandy Segerstrom Daniels and Sally Segerstrom for their visionary commitment as lead sponsors of the tour,” commented Joann Leatherby, board chairman. “We are proud to have the opportunity to represent Orange County’s vibrant cultural arts scene to audiences across China.”

Pacific Symphony also received a dollar-for-dollar match up to $150,000 to support the tour from Overseas Business Consulting, Inc. Pinchas Zukerman’s appearances with Pacific Symphony on tour were generously underwritten by Jerry and Terri Kohl. Additional major support for the tour was provided by Charles and Ling Zhang.