Equally acclaimed for her work on the concert stage, she has appeared at Carnegie Hall, Avery Fisher Hall at Lincoln Center, the Kennedy Center, National Sawdust, Trinity Church on Wall Street, Washington National Cathedral, and the Opera America Center. Her “powerful and expressive voice across a large range, her variety of timbre and character,” (Classical Scene), make her a welcome guest soloist for a range of oratorio and concert works, from Handel to Britten. These include Messiah with the Indianapolis Symphony and the Richmond Symphony, Gloria (Poulenc) with the Asheville Symphony, Mass in c minor (Mozart) with the Richmond Symphony, Cathedral Choral Society, and Berkshire Choral International, Stabat Mater (Dvorak) and Elijah (Mendelssohn) with Berkshire Choral International, Ein Deutsches Requiem (Brahms) with the Bel Canto Chorus of Milwaukee and Chorosynthesis, Luonnotar (Sibelius) and Les Illuminations (Britten) with the Tanglewood Music Center Orchestra, Knoxville: Summer of 1915 (Barber) and Les Illuminations (Britten) with Mexicoliederfest, Ninth Symphony (Beethoven) and Carmina Burana (Orff) with Choralis, as well as Requiem (Mozart), Credo Mass (Mozart), Dixit Dominus (Handel), Gloria (Vivaldi), Lord Nelson Mass (Haydn), and Mass in C (Beethoven). Her performance of Mozart’s Mass in C minor and Exsultate jubilate with the Cathedral Choral Society was broadcast by WETA, and her performance of Poulenc’s Gloria with the Asheville Symphony was broadcast by Blue Ridge Public Radio.
On the opera stage, Strickling created the role of Fanni Radnòti in the world premiere of Tom Cipullo’s opera The Parting with Music of Remembrance in Seattle and San Francisco (released on Naxos Opera Classics in 2020). An alumna of the Berkshire Opera Company resident artist program, her performance of the Dew Fairy in Humperdinck’s Hansel and Gretel was praised by Opera News: "Laura Strickling offered the creamy, clear, younger-sister-of-Eva-Pogner instrument ideal for singing the role over full orchestration." She appeared as Pamina in the Metropolitan Opera Guild's touring outreach production of The Magic Flute. Strickling’s operatic roles also include Countess Almaviva (Le nozze di Figaro), Cleopatra (Julius Caesar), Mimi (La Boheme), Dinorah (Dinorah), Elvira (L’Italiana in Algeri), Josephine (H.M.S. Pinafore), Gretel (Hansel and Gretel), and Micaëla (Carmen). She created the role of Muriel in the world premiere of Thomas Benjamin's The Alien Corn with the Peabody Opera Theater.
Strickling received critical acclaim in the Naxos Opera Classics recording of The Parting by Tom Cipullo (co-starring baritone Michael Mayes and mezzo-soprano Catherine Cook) for her “…deeply expressive, secure voice. Her exposed highs are managed wonderfully, with notable beauty.” James Matheson’s Times Alone on Yarlung Records was hailed by MusicWeb International for “shapely, nuanced voicings and emotional urgency...a striking directness.” Glen Roven’s The Vineyard Songs with pianist Michael Brofman is on New Voices, the Billboard Classical Top-Ten-selling CD. She can also be heard on “New American Song@SongFest,”, performing Jake Heggie’s Edna St. Vincent Millay with pianist Dimitri Dover, and on The Garden: Songs and Vocal Chamber Music of Tom Cipullo, performing the landmark song cycle Of a Certain Age with pianist Liza Stepanova. Her first solo project of American art song, with pianist Joy Schreier, will be released later this year, on the Yarlung label.
A Chicago native, Strickling is an avid traveler, having lived in Morocco, where she studied classical Arabic at the Arabic Language Institute of Fez, and Kabul, Afghanistan, where her husband was the founding chair of the Department of Law at the American University of Afghanistan. She currently makes her home in St. Thomas, U. S. Virgin Islands.