All Otello ticket holders will receive a link to these workshops, without additional cost, so get your opera tickets today!
Pacific Symphony Assistant Conductor, Dr. Jacob Sustaita, previews and introduces the upcoming performances of Verdi’s operatic masterpiece, Otello. Three online sessions (YouTube) will explore the opera's depiction of jealousy and rage by examining the work's psychological, musical and dramatic forces. Included will be discussions about the genesis of the opera, the collaboration of three artists (Boito, Verdi, Shakespeare) and the destructive world of Verdi’s three main characters (Desdemona, Iago, Otello).
Don’t miss this opportunity to peek behind the scenes at how Pacific Symphony brings the dramatic pathos of this opera to the stage of the Renée and Henry Segerstrom Concert Hall. Also, experience exclusive conversations with Stage Director Robert Neu and members of the cast about performing Verdi’s iconic and thrilling opera.
Each session will be available for on-demand viewing after the initial start date.
Session #1 - March 23 at 5 p.m.
Shakespeare Reinterpreted: Verdi’s Otello
Kelebogile Besong, soprano, and Bob Neu, stage director, discuss the innocence and determination of Desdemona, with a focus on her Act IV farewell and prayer before her death.
Session #2 - March 30 at 5 p.m.
Iago’s CREDO: Naivety and the Complexity of an Evil-Genius
Baritone Stephen Powell and Stage Director Bob Neu discuss Iago’s theatrical polarity, declamatory musical style and dramatic characterization.
Session #3 - April 6 at 5 p.m.
Otello’s Collapse: A Handkerchief, A Victim and A Murder
Tenor Carl Tanner shares his experiences of preparing and performing this enormous role. Tanner and Sustaita explore Otello’s challenges and complexities.
Pacific Symphony Assistant Conductor, Dr. Jacob Sustaita, previews and introduces the upcoming performances of Verdi’s operatic masterpiece, Otello. Three online sessions (YouTube) will explore the opera's depiction of jealousy and rage by examining the work's psychological, musical and dramatic forces. Included will be discussions about the genesis of the opera, the collaboration of three artists (Boito, Verdi, Shakespeare) and the destructive world of Verdi’s three main characters (Desdemona, Iago, Otello).
Don’t miss this opportunity to peek behind the scenes at how Pacific Symphony brings the dramatic pathos of this opera to the stage of the Renée and Henry Segerstrom Concert Hall. Also, experience exclusive conversations with Stage Director Robert Neu and members of the cast about performing Verdi’s iconic and thrilling opera.
Each session will be available for on-demand viewing after the initial start date.
Session #1 - March 23 at 5 p.m.
Shakespeare Reinterpreted: Verdi’s Otello
Kelebogile Besong, soprano, and Bob Neu, stage director, discuss the innocence and determination of Desdemona, with a focus on her Act IV farewell and prayer before her death.
Session #2 - March 30 at 5 p.m.
Iago’s CREDO: Naivety and the Complexity of an Evil-Genius
Baritone Stephen Powell and Stage Director Bob Neu discuss Iago’s theatrical polarity, declamatory musical style and dramatic characterization.
Session #3 - April 6 at 5 p.m.
Otello’s Collapse: A Handkerchief, A Victim and A Murder
Tenor Carl Tanner shares his experiences of preparing and performing this enormous role. Tanner and Sustaita explore Otello’s challenges and complexities.
March 23, March 30 and April 6 at 5 p.m.
A series of three virtual workshops illuminating Pacific Symphony's production of Verdi's Otello
Guests (in order of appearance):
Kelebogile Besong, Desdemona
Bob Neu, stage director
Stephen Powell, Iago
Carl Tanner, Otello
PRESS RELEASE
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